Inside Shipwrecked Comedy’s HEADLESS: A SLEEPY HOLLOW STORY – Now Crowdfunding On Kickstarter
NOTE: A version of this article was posted previously on the author’s Medium page, and can be viewed here. While web series like The Lizzie …
NOTE: A version of this article was posted previously on the author’s Medium page, and can be viewed here. While web series like The Lizzie …
When cable TV was just getting started in the mid-to-late 1970’s, many of the locally based providers of that once-revolutionary but now commonplace service were …
When a family-owned business gets handed down from one generation to another, it’s doubly crucial for the business’ new caretakers to keep it “in the …
A deeply personal tale of just how difficult it can be to break through in the highly competitive film industry.
“For years, I have been a hired actor for various gigs in New York, and around the country. It has been my job to help tell other people’s stories, with my own take of course, but they were other people’s visions,” McFadden says. “This was my opportunity to create my own work and share a story that I connect to on a personal level.”
“That was the most amazing feeling, because even though we come from such different places, we still have so much in common. It fueled my belief that young women’s stories deserve to be told.”
“I didn’t come out here to write pilots. I came out here to produce shows, and to write shows, and the only way we could do that was if we did it ourselves, basically.”
With their $125k Kickstarter goal met, we take a look at what might be in store for audiences in season two.