KANDIDLY KIALANI: Inside The Exciting Life Of A Digital Age “Triple Threat” Talent
Though the term “triple threat” has traditionally been used to describe entertainers who act, dance and sing, 13 year old Kialani Mills’ growing talents aren’t …
Though the term “triple threat” has traditionally been used to describe entertainers who act, dance and sing, 13 year old Kialani Mills’ growing talents aren’t …
In any business enterprise, a quality organization attracts quality talent. In the entertainment world, the high quality of a script leads actors and filmmakers to …
Psychiatric therapy is meant to help people try to cope with life’s most overwhelming problems. After such time spent on the therapist’s couch, the post-mortem …
When life becomes hard to bear, when all you do is screw up every major and minor decision, and when things seem way too tough …
EX-BEST is not just another female-centered web series. It’s a show that, through its characters and storyline, gives viewers a realistic and honest look at how the end of a longtime friendship can dramatically change the lives of those on opposite ends of such a breakup – and how two women attempt to find themselves, while learning more about who they really are, as they try to make sense of their unexpected “new normal”.
“Getting through Bad” isn’t just necessary for the sake of practice; it is intrinsic to recognizing growth in yourself and your art.
“We encompass all that is the show, beginning with the genesis of ideas, through production and post production,” they say. “We continue to sustain an ever-growing budget which includes a pizza box, plunger, and an anti-fluoride straw.”
“For years, I have been a hired actor for various gigs in New York, and around the country. It has been my job to help tell other people’s stories, with my own take of course, but they were other people’s visions,” McFadden says. “This was my opportunity to create my own work and share a story that I connect to on a personal level.”
With a central theme of finding adventure ArtistFilm successfully pitched their show concept to General Motors, who financed the pilot episode.
“I didn’t come out here to write pilots. I came out here to produce shows, and to write shows, and the only way we could do that was if we did it ourselves, basically.”